Welcome to SFU.ca.
You have reached this page because we have detected you have a browser that is not supported by our web site and its stylesheets. We are happy to bring you here a text version of the SFU site. It offers you all the site's links and info, but without the graphics.
You may be able to update your browser and take advantage of the full graphical website. This could be done FREE at one of the following links, depending on your computer and operating system.
Or you may simply continue with the text version.

*Windows:*
FireFox (Recommended) http://www.mozilla.com/en-US/firefox/
Netscape http://browser.netscape.com
Opera http://www.opera.com/

*Macintosh OSX:*
FireFox (Recommended) http://www.mozilla.com/en-US/firefox/
Netscape http://browser.netscape.com
Opera http://www.opera.com/

*Macintosh OS 8.5-9.22:*
The only currently supported browser that we know of is iCAB. This is a free browser to download and try, but there is a cost to purchase it.
http://www.icab.de/index.html

Locating Memory

Kirsten Emiko McAllister

Locating Memory

Locating Memory

As a visual medium, the photograph has many culturally resonant properties that it shares with no other medium. The essays in this volume develop innovative cultural strategies for reading, re-reading and re-using photographs, as well as for (re)creating photographs and other artworks and evoke varied sites of memory in contemporary landscapes: from sites of war and other violence through the lost places of indigenous peoples to the once-familiar everyday places of home, family, neighborhood and community. Paying close attention to the settings in which such photographs are made and used–family collections, public archives, museums, newspapers, art galleries–the contributors consider how meanings in photographs may be shifted, challenged and renewed over time and for different purposes–from historical inquiry to quests for personal, familial, ethnic and national identity.

“…[The volume makes a]  strong contribution… to rethinking the limitations and failures of photographic representation and to challenging our own interpretive assumptions driven by desires to see and read photographs in certain ways. Rather, as the volume makes clear in unique and varied sites of research, photographic meaning and memory, unstable and in constant flux, are marked as much by forgetfulness and absence as remembrance and presence.” ·  H-Net

“…the discursive style of each of the chapters highlights the value of attention to oral histories…There are many chapters worth investigating in this volume, delivering as it does a specific methodological clout for the study of memory and its mutations over time which result in national deliriums, amnesia and all types of cultural disorders.” ·  Cultural Studies Review

Posted: Thursday, September 23rd, 2010 @ 8:10 pm
Categories: McAllister, Kirsten.
Tags: .
Subscribe to the comments feed if you like. Both comments and pings are currently closed.

Comments are closed.